
The business world is full of what can be most kindly called “empty suits”—individuals who look the part but hollowly fulfill positions of power. In the art world, the empty suit isn’t necessarily a bad thing, especially when the “tailor” is Charles LeDray. In Charles LeDray: workworkworkworkwork, an exhibition at the Whitney Museum of American Art through February 13, 2011, one of the best kept secrets of contemporary art comes out into the open. An artist working alone on meticulously detailed miniatures of everyday life, LeDray speaks of larger truths through a materialism that continually reminds us of emptiness.



The Huffington Post posted on its website a list of the three best art exhibitions in museums around the world, prepared by the art critic Edward Goldman: